Kirsty Hendry

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	<title>Kirsty Hendry</title>
	<link>https://kirstyhendry.com</link>
	<description>Kirsty Hendry</description>
	<pubDate>Mon, 18 Jan 2021 17:56:57 +0000</pubDate>
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		<title>Landing Page</title>
				
		<link>https://kirstyhendry.com/Landing-Page</link>

		<pubDate>Mon, 07 Dec 2020 17:46:55 +0000</pubDate>

		<dc:creator>Kirsty Hendry</dc:creator>

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		<title>Projects</title>
				
		<link>https://kirstyhendry.com/Projects-1</link>

		<pubDate>Mon, 14 Dec 2020 17:11:07 +0000</pubDate>

		<dc:creator>Kirsty Hendry</dc:creator>

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	&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/8bad4d8389ff88bd938e12594a4119c6dd3b7dff59955fbc650f6e0f7aa36272/Human-Nature_Kirsty-Hendry_UK_2024_Kirsty-Hendry_5.png" data-mid="219830745" border="0"  src="https://freight.cargo.site/w/1000/i/8bad4d8389ff88bd938e12594a4119c6dd3b7dff59955fbc650f6e0f7aa36272/Human-Nature_Kirsty-Hendry_UK_2024_Kirsty-Hendry_5.png" /&#62;Human Nature
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Unknown Outcomes

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Cursor

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A Presumed Unity


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		<title>Navel Gazing</title>
				
		<link>https://kirstyhendry.com/Navel-Gazing</link>

		<pubDate>Mon, 07 Dec 2020 17:56:44 +0000</pubDate>

		<dc:creator>Kirsty Hendry</dc:creator>

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		<description>Navel Gazing
	

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Ruminating on ‘gut feelings’ Navel Gazing considers how the body is simultaneously thought to communicate essential truths but that this communication is inherently suspect and not to be trusted. 
Developed through research into the history of ventriloquism at the Harry Price Archives, Navel Gazing uses the idea of belly speaking—which was not originally an entertainer’s trick but rather a rumbling sort of prophetic internal speech—to explore the ways we understand and articulate our bodies. 
Workshopped through performance exercises with Aby Watson and Joe Howe, Navel Gazing explores science’s predilection for fiction—weaving together personal narrative, archival materials, and contemporary research linking the gut to mental health. 
You can read Matter over mind,&#38;nbsp;a new text in response to the work by Alison Scott&#38;nbsp;here

 
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		<title>Self-Service</title>
				
		<link>https://kirstyhendry.com/Self-Service</link>

		<pubDate>Mon, 07 Dec 2020 18:19:53 +0000</pubDate>

		<dc:creator>Kirsty Hendry</dc:creator>

		<guid isPermaLink="true">https://kirstyhendry.com/Self-Service</guid>

		<description>Self—Service
	
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Self-Service was a collaborative project with Ilona Sagar for Glasgow International 2018. Taking the form of a publication and event series, the project was developed in response to the archive of The Peckham Experiment—a radical vision for encouraging health, local empowerment, and self-organisation in the first half of the 20th century.

					Designed in collaboration with Maeve Redmond, Self-Service brings together newly produced works by myself and Ilona Sagar alongside original texts and works by invited collaborators and contributors;Emma Balkind &#124; Alberta Whittle &#124; Gary Zhexi Zhang &#124; Clara Crivellaro &#38;amp; Alex Taylor &#124; Luke FrostExploring the
increasingly uneasy relationship we have to health, wellbeing, and labour, the publication situated new works and responses alongside orignal archival materials.


Cultures
	Cultures was a new moving image work and performative reading developed as part of the Self-Service Screening programme for Glasgow International 2018. Drawing on cultural depictions of the ‘technical body’
from skincare advertising to educational children’s cartoons, Cultures considers how we explain our bodies with ideas inherited from elsewhere, questioning tendencies to territorialise and militarise the body in order to
articulate health, illness and notions of utility and morality.
You can read the script here

					
The screening programme also included works by Alberta Whittle, Ilona Sagar, Gary Zhexi Zhang, The Leeds Animation Workshop, Liz Magic Laser, and Julien Prévieux

				
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Lab-oratory
	
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	Lab-oratory was the second of two events that was developed as a companion to the Self-Service publication - inspired by a serial publication authored by the members of the Peckham Experiment titled ‘Guinea Pig.’Through, talks, discussion, and working directly with archival materials, Lab-orartory was an opportunity to collectively generate and create new responses to the original archival materials. Led by myself and Ilona Sagar the
event also featured invited contributions from Dr Elsa Richardson, Anna Clover, and Dr Lisa Curtice that explored questions of voice, agency, and authority in relation to the archive. The group collaboratively produced
a new text and video work through a call and response listening and speaking excercise with excerpts from the archival materials.


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	<item>
		<title>Unknown Outcomes</title>
				
		<link>https://kirstyhendry.com/Unknown-Outcomes</link>

		<pubDate>Fri, 11 Dec 2020 15:46:12 +0000</pubDate>

		<dc:creator>Kirsty Hendry</dc:creator>

		<guid isPermaLink="true">https://kirstyhendry.com/Unknown-Outcomes</guid>

		<description>Unknown Outcomes
	

					Unknown Outcomes was a collaborative project with Debi Banerjee which generated a number of different works, including journal articles, conference workshops, and public engagement activities. The project archive online was commissioned by MAP Magazine in late 2016 alongside an new introductory text to the project by Debi and myself. 
The website assembles the material collected and produced throughout our collaboration with 
Ted Odling’s archival material currently held in Glasgow School of Art’s Archives and Collections. 
Developed in collaboration with designer Neil McGuire, Unknown Outcomes is a meditation on the role of systems in structuring
and legitimising information and knowledge.

				
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&#60;img width="5312" height="2988" width_o="5312" height_o="2988" data-src="https://freight.cargo.site/t/original/i/9136eb98852cfb7a41e93e5914455f8fd69a1eed8c476fa922466e3003c9028d/20160611_155837.jpg" data-mid="91834907" border="0"  src="https://freight.cargo.site/w/1000/i/9136eb98852cfb7a41e93e5914455f8fd69a1eed8c476fa922466e3003c9028d/20160611_155837.jpg" /&#62;
&#60;img width="2448" height="2448" width_o="2448" height_o="2448" data-src="https://freight.cargo.site/t/original/i/f2567f59c63ea1727eb9895266bbd1f2dfe007ecbda9a2eb24411f3a6e941fd5/16.-this.jpg" data-mid="91832589" border="0"  src="https://freight.cargo.site/w/1000/i/f2567f59c63ea1727eb9895266bbd1f2dfe007ecbda9a2eb24411f3a6e941fd5/16.-this.jpg" /&#62;
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&#60;img width="2448" height="3264" width_o="2448" height_o="3264" data-src="https://freight.cargo.site/t/original/i/97bc8afd314bb57a5e31b981ce001d57057827396d41157f6201f5407e1b203d/18.-edits.jpg" data-mid="91832768" border="0"  src="https://freight.cargo.site/w/1000/i/97bc8afd314bb57a5e31b981ce001d57057827396d41157f6201f5407e1b203d/18.-edits.jpg" /&#62;
&#60;img width="800" height="1200" width_o="800" height_o="1200" data-src="https://freight.cargo.site/t/original/i/f5e7d8d573d3dac76306da5fd980dd16e99a64680c9bc742babf248ac195871b/Suz_GSS-3.jpg" data-mid="91839735" border="0"  src="https://freight.cargo.site/w/800/i/f5e7d8d573d3dac76306da5fd980dd16e99a64680c9bc742babf248ac195871b/Suz_GSS-3.jpg" /&#62;
&#60;img width="800" height="533" width_o="800" height_o="533" data-src="https://freight.cargo.site/t/original/i/653517500fbe250940471d633e6c2fb0174936afd77c08c24b533e902b1c7028/Suz_GSS-1.jpg" data-mid="91839665" border="0"  src="https://freight.cargo.site/w/800/i/653517500fbe250940471d633e6c2fb0174936afd77c08c24b533e902b1c7028/Suz_GSS-1.jpg" /&#62;


</description>
		
	</item>
		
		
	<item>
		<title>Cursor</title>
				
		<link>https://kirstyhendry.com/Cursor</link>

		<pubDate>Fri, 11 Dec 2020 15:38:19 +0000</pubDate>

		<dc:creator>Kirsty Hendry</dc:creator>

		<guid isPermaLink="true">https://kirstyhendry.com/Cursor</guid>

		<description>Cursor
	

&#60;img width="1420" height="2522" width_o="1420" height_o="2522" data-src="https://freight.cargo.site/t/original/i/e99eaf42183785f92bf6565f6c961b482a68aee70abeefb3447e32a7ff2d730b/Screen-Shot-2020-12-11-at-21.32.21.png" data-mid="91861330" border="0"  src="https://freight.cargo.site/w/1000/i/e99eaf42183785f92bf6565f6c961b482a68aee70abeefb3447e32a7ff2d730b/Screen-Shot-2020-12-11-at-21.32.21.png" /&#62;
&#60;img width="1502" height="2664" width_o="1502" height_o="2664" data-src="https://freight.cargo.site/t/original/i/01f13a8f21ee37991f168d2ddc3f79031099617ef3350d8e6befc8a9eeba7ec4/Screen-Shot-2020-12-11-at-21.34.17.png" data-mid="91862425" border="0"  src="https://freight.cargo.site/w/1000/i/01f13a8f21ee37991f168d2ddc3f79031099617ef3350d8e6befc8a9eeba7ec4/Screen-Shot-2020-12-11-at-21.34.17.png" /&#62;
&#60;img width="1500" height="2650" width_o="1500" height_o="2650" data-src="https://freight.cargo.site/t/original/i/c0359c4f1588c8d27fe6789ab6be60a0f19f00b9054149eb9c9f49f8cbf90b4e/Screen-Shot-2020-12-11-at-21.34.35.png" data-mid="91862401" border="0"  src="https://freight.cargo.site/w/1000/i/c0359c4f1588c8d27fe6789ab6be60a0f19f00b9054149eb9c9f49f8cbf90b4e/Screen-Shot-2020-12-11-at-21.34.35.png" /&#62;
&#60;img width="1447" height="2565" width_o="1447" height_o="2565" data-src="https://freight.cargo.site/t/original/i/3b69214a478c8d56b152a0949782275ed065f5429e927ef928c49de0e3da9b95/Screen-Shot-2020-12-11-at-21.36.02.png" data-mid="91862466" border="0"  src="https://freight.cargo.site/w/1000/i/3b69214a478c8d56b152a0949782275ed065f5429e927ef928c49de0e3da9b95/Screen-Shot-2020-12-11-at-21.36.02.png" /&#62;
&#60;img width="899" height="1599" width_o="899" height_o="1599" data-src="https://freight.cargo.site/t/original/i/1b3e5f934286ee5191efb3a2a8ed500b3428d296a32731778cb9f499da75b8df/IMG_5680.jpg" data-mid="91861432" border="0"  src="https://freight.cargo.site/w/899/i/1b3e5f934286ee5191efb3a2a8ed500b3428d296a32731778cb9f499da75b8df/IMG_5680.jpg" /&#62;
&#60;img width="750" height="1334" width_o="750" height_o="1334" data-src="https://freight.cargo.site/t/original/i/128d240765e1ca94cf3ab5d2350f2760e6a9a875f3ecf6bf71cab6f38228d503/IMG_6436.jpg" data-mid="91862257" border="0" data-scale="37" src="https://freight.cargo.site/w/750/i/128d240765e1ca94cf3ab5d2350f2760e6a9a875f3ecf6bf71cab6f38228d503/IMG_6436.jpg" /&#62;
&#60;img width="899" height="1599" width_o="899" height_o="1599" data-src="https://freight.cargo.site/t/original/i/2e74607f29181f6797ee2de7137069ab3909a179153f2261b3aedc918b8d9a07/IMG_5677.jpg" data-mid="91861483" border="0"  src="https://freight.cargo.site/w/899/i/2e74607f29181f6797ee2de7137069ab3909a179153f2261b3aedc918b8d9a07/IMG_5677.jpg" /&#62;
&#60;img width="750" height="1334" width_o="750" height_o="1334" data-src="https://freight.cargo.site/t/original/i/f15100927d0eec792896499dfb889b12cdb68bd4d4fb2dc3dacaca3558ec2fe6/IMG_5840.jpg" data-mid="91861522" border="0"  src="https://freight.cargo.site/w/750/i/f15100927d0eec792896499dfb889b12cdb68bd4d4fb2dc3dacaca3558ec2fe6/IMG_5840.jpg" /&#62;

				
Cursor was collaborative project developed by myself, Jake Watts and Dave Young. Cursor is a publishing platform and corresponding Android and iOS fitness-tracking app that critically explores the political and economic relationships between physical exercise tracking, data-production, and labour. In 2014 we were awarded funding through New Media Scotland’s Alt-W award to produce the project, which included newly commissioned works in the form of texts, videos, and sound works by ourselves and invited contributors Karen Gregory, Rumi Josephs, Simone C Niquille, and Anna Zett. Alongside the publication itself we have also staged
public events and exhibitions in relation to the project including featuring in The Edinburgh Arts Festival. We have also been commissioned and approached to produce texts and articles in relation to the project for
Real Life and Arachne.


Resistance Training
	
Resistance Training was an evening of screenings, readings, and discussion that opened out the key ideas informing our research and our approach to developing the Cursor app.
The event explored how shifts in digital technology are shaping the social mechanisms that produce our conceptions of ‘wellness and ‘health’, focusing on the persistence with which social norms structure technological practices.&#38;nbsp;Resistance Training brought together works by artist Rumi Josephs and designer Simone C Niquille (Technoflesh) alongside a new talk by Dr. Karen Gregory, lecturer in Digital Sociology at the University of Edinburgh.


&#60;img width="1920" height="1280" width_o="1920" height_o="1280" data-src="https://freight.cargo.site/t/original/i/1a32e7afe557f8c0eaa2f1434934b9aaf00e8039eb7b1713423b375563730b96/1Q4A9032.JPG" data-mid="91858585" border="0"  src="https://freight.cargo.site/w/1000/i/1a32e7afe557f8c0eaa2f1434934b9aaf00e8039eb7b1713423b375563730b96/1Q4A9032.JPG" /&#62;
&#60;img width="1920" height="1280" width_o="1920" height_o="1280" data-src="https://freight.cargo.site/t/original/i/d21ac3471e157d87aa3996c29e2310c5b00919499643e55ae2be564ed5ff0ac8/1Q4A8715.JPG" data-mid="91858578" border="0"  src="https://freight.cargo.site/w/1000/i/d21ac3471e157d87aa3996c29e2310c5b00919499643e55ae2be564ed5ff0ac8/1Q4A8715.JPG" /&#62;
&#60;img width="1920" height="1280" width_o="1920" height_o="1280" data-src="https://freight.cargo.site/t/original/i/aad892a9716236b5d9e887561f66b916c5c7f2eacc3f5c94c2ea928220916a6a/1Q4A8854.JPG" data-mid="91858579" border="0"  src="https://freight.cargo.site/w/1000/i/aad892a9716236b5d9e887561f66b916c5c7f2eacc3f5c94c2ea928220916a6a/1Q4A8854.JPG" /&#62;
&#60;img width="1920" height="1280" width_o="1920" height_o="1280" data-src="https://freight.cargo.site/t/original/i/a94e1f2a715c38d0371a3f27d4139f4038b5567da70ab8878efada62ac0e63eb/1Q4A8862.JPG" data-mid="91858581" border="0"  src="https://freight.cargo.site/w/1000/i/a94e1f2a715c38d0371a3f27d4139f4038b5567da70ab8878efada62ac0e63eb/1Q4A8862.JPG" /&#62;
&#60;img width="1920" height="1280" width_o="1920" height_o="1280" data-src="https://freight.cargo.site/t/original/i/688f24139c36c22bf3747706a52b600eca18523e23e816475d51b36905942a49/1Q4A8920.JPG" data-mid="91858583" border="0"  src="https://freight.cargo.site/w/1000/i/688f24139c36c22bf3747706a52b600eca18523e23e816475d51b36905942a49/1Q4A8920.JPG" /&#62;
&#60;img width="1920" height="1280" width_o="1920" height_o="1280" data-src="https://freight.cargo.site/t/original/i/842344cbd7f57bf3db1a95d0e601923fa924f60dbed2a9c64fefbcf975cd5f4f/1Q4A8912.JPG" data-mid="91858582" border="0"  src="https://freight.cargo.site/w/1000/i/842344cbd7f57bf3db1a95d0e601923fa924f60dbed2a9c64fefbcf975cd5f4f/1Q4A8912.JPG" /&#62;
&#60;img width="1920" height="1280" width_o="1920" height_o="1280" data-src="https://freight.cargo.site/t/original/i/b7ea4c13d36e7bbba3cd890f311ebc9468eedbd90d19c4f4da2e96ff91731d6f/1Q4A8994.JPG" data-mid="91858584" border="0"  src="https://freight.cargo.site/w/1000/i/b7ea4c13d36e7bbba3cd890f311ebc9468eedbd90d19c4f4da2e96ff91731d6f/1Q4A8994.JPG" /&#62;


</description>
		
	</item>
		
		
	<item>
		<title>A Presumed Unity</title>
				
		<link>https://kirstyhendry.com/A-Presumed-Unity</link>

		<pubDate>Fri, 11 Dec 2020 15:44:49 +0000</pubDate>

		<dc:creator>Kirsty Hendry</dc:creator>

		<guid isPermaLink="true">https://kirstyhendry.com/A-Presumed-Unity</guid>

		<description>A Presumed Unity
	

&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/e388f2980e8728e0935aac494e2022baf8982e82a18eb6bb8c199334843d3ac0/06.-Kirsty-Hendry_A-Presumed-Unity_Moving-Image_2015.jpg" data-mid="91841614" border="0"  src="https://freight.cargo.site/w/1000/i/e388f2980e8728e0935aac494e2022baf8982e82a18eb6bb8c199334843d3ac0/06.-Kirsty-Hendry_A-Presumed-Unity_Moving-Image_2015.jpg" /&#62;

	
A Presumed Unity was made in response to ‘The World’ Islands in
Dubai - an ambitious state funded real estate project that collapsed
with the market in 2008. Using voiceover, stock footage, and the orginal project advertising materials, A Presumed Unity explores the concept of the world image as a medium of
polity. Drawing on the trope of ‘seasteading’ as a utopic escape plan for a privileged
minority, the film focused on the&#38;nbsp; the
duplicity and absurdity of the language used to describe and market ‘The World’ - a new world but for whom?

					
A Presumed Unity was initially produced for the
launch of Gnommero: Multiplicity at the Centre for Contemporary Art in
Glasgow in 2015

Since then it has been shortlisted for the
Tenderpixel: Futures Artists Moving Image and
was screened at the Institute for Contemporary Art, London as part of this
programme in late 2015. A Presumed Unity was also shown at Embassy Gallery as
part of the group show Soft Control in 2016.


</description>
		
	</item>
		
		
	<item>
		<title>Writing</title>
				
		<link>https://kirstyhendry.com/Writing</link>

		<pubDate>Thu, 07 Jan 2021 19:04:36 +0000</pubDate>

		<dc:creator>Kirsty Hendry</dc:creator>

		<guid isPermaLink="true">https://kirstyhendry.com/Writing</guid>

		<description>Chronicler
	&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/8a3c4c2b17d951a113428c63b547a01e2acfdca9418c7308e54e25d24159c04d/IMG-5659.jpg" data-mid="130387886" border="0" data-scale="56" src="https://freight.cargo.site/w/1000/i/8a3c4c2b17d951a113428c63b547a01e2acfdca9418c7308e54e25d24159c04d/IMG-5659.jpg" /&#62;
	Chronciler was commissioned by MAP Magazine as a response to Ill Feelings by Alice Hattrick.
The Crip time of Ill Feelings pulls into intimate proximity the experiences of sick women in the 19th century and sick women of the 21st century, their similarities more acute than their differences. A reminder that the forward trajectory of linear time does not necessarily guarantee progress.
You can read the full piece here

Reader’s Digest
	&#60;img width="1920" height="1280" width_o="1920" height_o="1280" data-src="https://freight.cargo.site/t/original/i/b8087487c5bff31f26cd87b19cbf2a0c3b0cd11bd64e0dd90b3f87817d8e399f/RT12.png" data-mid="94304746" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/b8087487c5bff31f26cd87b19cbf2a0c3b0cd11bd64e0dd90b3f87817d8e399f/RT12.png" /&#62;

	
	Reader’s Digest was commissioned by Market Gallery as a response to Reproductive Technologies, a six month reading group and event of the same name that considered how gender, motherhood, and sexual difference emerge within and produce new scientific technologies.
Reader’s Digest explored political body parts and the body politic, the mind/body split and the gut/brain axis, and reading and writing as metabolic processes—transforming existing resources into new energies.
Reader’s Digest was also subsequently published online by MAP Magazine - you can read the full piece here


A Maggot

	&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#60;img width="2444" height="3788" width_o="2444" height_o="3788" data-src="https://freight.cargo.site/t/original/i/f3626c65c1f78e874b5dd4049b204145fec819bd6c37b29d718ad5353c727cf8/01.-SS_Pub-7.png" data-mid="94304388" border="0" data-scale="52" src="https://freight.cargo.site/w/1000/i/f3626c65c1f78e874b5dd4049b204145fec819bd6c37b29d718ad5353c727cf8/01.-SS_Pub-7.png" /&#62;
	A Maggot was developed for ‘Self-Service’—a publication and event programme produced in collaboration with Ilona Sagar for Glasgow International 2018. 
My archival research into The Peckham Experiment—which conceptualised health as a harmonious relationship between organism and ecosystem—coincided with my Granny’s admission to hospital, where maggots featured as part of her treatment. A Maggot is the result of this symbiotic coincidence—an exploration of the ‘flimsy layer that seperates one body from another.’
&#38;nbsp;A Maggot was also subsequently published online by MAP Magazine—you can read the full piece here


 Typecast
	&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;&#60;img width="1506" height="2676" width_o="1506" height_o="2676" data-src="https://freight.cargo.site/t/original/i/d027c6264d33472c11c543fd15b3c3136f92ed336e3d4ec5a287c4a0348265fb/Typecast.gif" data-mid="94420550" border="0" data-scale="51" src="https://freight.cargo.site/w/1000/i/d027c6264d33472c11c543fd15b3c3136f92ed336e3d4ec5a287c4a0348265fb/Typecast.gif" /&#62;
	Typecast&#38;nbsp;was a workshop commissioned
by Cooper Gallery to expand upon the central themes of 'Ulay: So You See Me'.
I developed a series of writing prompts that took the form of a deck of Tarot inspired cards. Through these prompts we produced new works that explored the various
ways we perform ourselves for one another through the things we encounter,
record, and share. 
The workshop used the existing contents of our phones as a
starting point and played and experimented with character writing tropes borrowed from TV, cinema, and literary fiction to explore the tensions between
representation, sincerity, and authenticity.


 Profile
	&#60;img width="1920" height="1268" width_o="1920" height_o="1268" data-src="https://freight.cargo.site/t/original/i/0998b144202321b7c92697a89f85b767b02972281ee3ffb059c2118faa96017b/Profile.png" data-mid="95568318" border="0"  src="https://freight.cargo.site/w/1000/i/0998b144202321b7c92697a89f85b767b02972281ee3ffb059c2118faa96017b/Profile.png" /&#62;
	
	Profile was a new text work and perfromance commissioned by Cooper Gallery to coincide with the International Symposium as part of their&#38;nbsp;exhibition 'Ulay: So You See Me'.&#38;nbsp;Under the guise of biography, the text unpicked the often contradictory meanings of ‘profile’ to explore the various structures— bureaucratic, linguistic, social, or self-determined—through which we perform and produce our identities


					Profile was subsequently published in Cooper Gallery’s periodical&#38;nbsp;&#38;amp;labels 
You can read the full piece here

				
</description>
		
	</item>
		
		
	<item>
		<title>Information</title>
				
		<link>https://kirstyhendry.com/Information</link>

		<pubDate>Mon, 14 Dec 2020 13:54:13 +0000</pubDate>

		<dc:creator>Kirsty Hendry</dc:creator>

		<guid isPermaLink="true">https://kirstyhendry.com/Information</guid>

		<description>
	
&#60;img width="6016" height="4016" width_o="6016" height_o="4016" data-src="https://freight.cargo.site/t/original/i/f835acbd5b396478cc6c6521bfba8db79d51b987ee98866fa77f927002e91d98/02-December-18-44-10Ulay.jpg" data-mid="92154862" border="0"  src="https://freight.cargo.site/w/1000/i/f835acbd5b396478cc6c6521bfba8db79d51b987ee98866fa77f927002e91d98/02-December-18-44-10Ulay.jpg" /&#62;


	My practice explores ideas of labour, work, and the body; unpicking their effect upon our sense of selfhood and embodiment. My works negotiate the slippages between writing and visual practices—ideas are often instigated as texts and then transposed and expanded into printed matter, moving image, and performance as forms of publishing. 
My recent research has focused on the commodification of ‘health &#38;amp; wellbeing’ as new (and expansive) territories of labour—questioning what is a good body, and if there are good bodies, are there also disobedient bodies?&#38;nbsp; My work to date has focused on the role of language, metaphor, and cultural frameworks within scientific knowledge, specifically, how bio-medicine translates broader cultural and political concerns and anxieties into its own technical narratives which become literally embodied in the ways we understand ourselves and our relationships to one another. 
To unravel the origins of metaphorical expression, I frequently engage in archival and/or historical research, looking to older ideas or seemingly ‘obsolete’ knowledges in order to rethink and challenge present assumptions and conceptions.
You can see my full CV here


</description>
		
	</item>
		
		
	<item>
		<title>Contact Mobile</title>
				
		<link>https://kirstyhendry.com/Contact-Mobile</link>

		<pubDate>Mon, 18 Jan 2021 17:56:57 +0000</pubDate>

		<dc:creator>Kirsty Hendry</dc:creator>

		<guid isPermaLink="true">https://kirstyhendry.com/Contact-Mobile</guid>

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